Multicolor Mahākāla Thangka
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- Multicolor Mahākāla Thangka
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Multicolor Mahākāla Thangka
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🌿 Exquisite Sacred Craftsmanship
This miniature thangka depicts Black Jambhala (Black Dzambhala) in a powerful wrathful form. Measuring only 4 × 5 cm, the work presents a highly detailed Buddhist sacred composition within a compact format.
The painting is executed on pure cotton cloth and incorporates gold, cinnabar, lapis lazuli, turquoise, and dolomite. The vivid palette combines deep blue, red, orange, yellow, turquoise, and gold tones, creating a concentrated and visually intricate composition.
The artwork is mounted on a gold-plated copper base, combining a traditional cloth painting surface with a structured metal support.
🔮 The Flaming Wrathful Form of Black Jambhala
Black Jambhala is portrayed with a distinctive blue-black body and wrathful expression, wearing an elaborate crown, jewelry, and ceremonial adornments.
A dynamic field of flames surrounds the central deity, while dragons, auspicious clouds, lotus motifs, animals, and ornamental elements fill the surrounding composition.
The arrangement creates a strong sense of movement and intensity, while the layered decorative details demonstrate the complexity of miniature Buddhist painting.
Why Choose This Black Jambhala?
This piece brings together Black Jambhala iconography, miniature thangka painting, gold detailing, mineral materials, and a gold-plated copper structure within a single collectible artwork.
Its compact 4 × 5 cm format concentrates the central deity and surrounding iconographic elements into a highly detailed composition. The combination of pure cotton cloth, metallic structure, gold, and mineral materials gives the work a distinctive material character.
The work is identified as No. 3 of the Black Jambhala Series, created by 娘吉合 in Qinghai, China, in 2026, with a certificate included.
Ideal For
- Tibetan Buddhist art collections
- Miniature thangka collections
- Buddhist sacred art collections
- Himalayan and Tibetan Buddhist-inspired art collections
- Small-format religious artwork displays
- Curated cultural and art collections
- Collectors of contemporary Buddhist miniature artworks
Product Parameters
| Specification | Details |
|---|---|
| Product Name | Black Jambhala Miniature Thangka | Flaming Wrathful Form |
| Category | Miniature Thangka / Buddhist Art Collectible |
| Subject | Black Jambhala (Black Dzambhala) |
| Series | Black Jambhala Series |
| Variant | No. 3 |
| Creator | 娘吉合 |
| Origin | Qinghai, China |
| Production Year | 2026 |
| Dimensions | 4 × 5 cm |
| Weight | Approximately 32 g |
| Painting Surface | Pure cotton cloth |
| Base Material | Gold-plated copper |
| Materials / Pigments | Gold, cinnabar, lapis lazuli, turquoise, dolomite |
| Format | Hand-painted miniature Buddhist artwork |
| Certificate | Included |
Investment Value & Cultural Legacy
This work represents a 2026 miniature Buddhist artwork created in Qinghai, China, combining Buddhist sacred imagery with a contemporary collectible format.
Its documented material composition includes gold, cinnabar, lapis lazuli, turquoise, and dolomite, while the gold-plated copper base provides a structured support for the cotton-cloth painting.
The work is attributed to 娘吉合 and belongs to the Black Jambhala Series, identified as No. 3. Its creator, origin, production year, materials, dimensions, weight, and certificate status provide a defined product record for collection and provenance documentation.
Why This Piece Holds Collectible Value
1. Craftsmanship Rarity
The artwork combines a 4 × 5 cm miniature format with a dense sacred composition containing a central deity, flames, dragons, clouds, lotus motifs, animals, jewelry, and other ornamental details.
The use of pure cotton cloth, gold-plated copper, gold, cinnabar, lapis lazuli, turquoise, and dolomite further distinguishes its material construction.
The compact scale places the complete composition within a very limited physical surface while retaining multiple layers of visual detail.
2. Cultural & Artistic Appreciation
The work presents Black Jambhala through a traditional Buddhist sacred-art vocabulary, incorporating the deity's wrathful appearance, elaborate adornments, surrounding flames, and multiple symbolic decorative motifs.
Its artistic character is defined by the combination of Buddhist iconography, miniature painting, mineral and metallic materials, and detailed ornamental composition.
As a documented work from Qinghai, China, created by 娘吉合 in 2026, it forms an identifiable contemporary piece within the Black Jambhala Series.
Niangjihe is a contemporary Thangka artist associated with the Regong Thangka tradition and the Mengtang (Menri) school of Qinghai, China. He began studying Thangka painting and traditional art at a young age and has devoted many years to the practice and transmission of this traditional craft.
His name has been documented in contemporary research on Regong Thangka artists, and his works have been recorded as Regong Mengtang-style Thangka paintings in a Buddhist art collection.
He is also involved in Thangka education and cultural heritage transmission, helping preserve traditional painting techniques through teaching and artistic practice.
Key Information
Artist: Niangjihe
Art Form: Thangka Painting
Tradition: Regong Thangka
School: Mengtang / Menri Tradition
Region: Qinghai, China
Specialization: Traditional Hand-Painted Thangka
Role: Thangka Artist & Craft Educator

Multicolor Mahākāla Thangka
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